I say it every year because it only becomes more true: one of the greatest perks of living in New York is the opportunity to attend the New York Film Festival (NYFF) at Lincoln Center, where some of the most innovative and exciting new films are screened. This year, a few exceptional titles have emerged, starting with the opening-night film “Nickel Boys,” an evocative, expressionistic adaptation of Colson Whitehead’s Pulitzer Prize-winning novel “The Nickel Boys,” directed by RaMell Ross. Also standing out is “All We Imagine as Light,” the first narrative feature by documentarian Payal Kapadia, a gentle yet profoundly moving exploration of the lives of three women in Mumbai, India.
Another noteworthy film is Mati Diop’s “Dahomey,” a sharp and timely documentary on the repatriation of African art. Meanwhile, renegade auteur Jacques Audiard brings “Emilia Pérez,” a fever dream set in Mexico following four remarkable women in pursuit of their own paths to…
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